Serving Tea and Filling-water-up, Neither Sculpturing Nor Modeling

Liu Yuedi

Art Frontier Vol. 01, No.1

ISSN: 2835-5490

EISSN: 2836-841X

Sponsor: Chinese Arts Association of San Francisco

Organizer: California Academy of Arts

Publisher: Frontier Press

Website: www.artfrontier.cn

Address: 281 Esteban Way, San Jose, CA 95119, USA

Email: artfrontier2023@outlook.com

ART THEORY & CRITICISM (Vol.1, No.1)

Serving Tea and Filling-water-up, Neither Sculpturing Nor Modeling: Zhang Yu’s Artistic Expansion

The creative art of contemporary Chinese artist Zhang Yu, from the ink wash experiments in the 1980s to today’s contemporary experiments, has been developed for nearly forty years.

To Go Beyond Imagery is to Attain Truth: A Brief Discussion of the Meaning of Calligraphy

“Meaning” is the essence of Chinese calligraphy expression. The unstable shape of the line produced by the brush’s movement makes the expression of meaning in calligraphic works.

Seeing at Stake: The Anti-Aesthetic of Bio-Art

In this age of biotechnology the concepts of biology and life are being radically transformed.

IMAGE & VISION (Vol.1, No.1)

Images in Between: My Artistic Research and Practice

Using images as an entrance, through the historical track of Eastern and Western art, reveals the meaning of “in-between” in contemporary art forms.

Image and Self-Cultivation

Gewu is a Confucian theory about the systematic study of things, which will directly affect the painting’s subject matter.

Confusion of Images: Talking About the Realistic Painting of Photos and Photographic Painting

As far as realistic painting is concerned, in today’s information age, when facing the vast number of images that exist, we encounter confusion about these readily available images.

Anti-Epidemic Images in the “ Dianshizhai Pictorial ”

The Dianshizhai Pictorial is a compilation of images reflecting social changes during the years 1884–1898.

ART HISTORY (Vol.1, No.1)

The Intertextuality Between Han Great Rhapsody and Hunting Images in the Han Dynasty

As the most representative literary work of the Han Dynasty, Han Great Rhapsody features fictional royal gardens and forest hunting and was composed by Mei Cheng during the reign of Emperor.

The Hotspots and Trends in the Study of Xu Wei

An analysis of the hotspots and trends in the research literature about Xu Wei is helpful in providing some extended opportunities for the study of Xu Wei.

The Intellectuals' Utopia: The Prospect and Dilemma of Art Intervention in Chinese Countryside

China’s modern village construction shows a distinction between economy-led modernization and humanities-led modernity.

DESIGN FRONTIER (Vol.1, No.1)

The “Undefined” Future of Mobility Innovation: Concepts, Method, and Paradigms

In 2006, the Central Academy of Fine Arts established a mobility innovation design education program to contribute to China’s automotive industry in the early stages of its development.

The Informatization Trend of Design Education Management in Universities

In the pandemic and post-pandemic eras, it has become the norm for many design courses to be conducted online.

Firing Characteristics in Contemporary Chinese Ceramic Sculpture

After China’s reform and opening-up, artists have been digging for new materials, exploring new technologies and expanding new forms in ceramics.

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